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De architectuurtheorie van Hans van der Laan die de basis vormt van zijn hele denken en praktijk is complexe materie die moeilijk samen te vatten is. De grote waarde van deze studie ligt vooral in het blootleggen van de essentie van de ruimtelijke beleving. In “Het Vormenspel der Liturgie” integreert hij architectuur in een alomvattende visie op kunst, op de levensgewoonten van de mens en onze relatie met de schepping van de natuur.

264-013 --- #GROL:SEMI-264-013 --- liturgie --- iconografie --- religie --- architectuur --- Van der Laan Hans --- 264 --- Liturgisch symbolisme --- Catholic Church --- -Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Liturgy --- Van der Laan, Dom Hans --- Liturgy. --- -Liturgy --- Van der Laan, Dom Hans, --- 264-013 Liturgisch symbolisme --- 72.01 --- Architectuurtheorie --- Architectuur (theorie) --- Church of Rome

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Renaissance Florence has often been described as the birthplace of modern individualism, as reflected in the individual genius of its great artists, scholars, and statesmen. The historical research of recent decades has instead shown that Florentines during the Renaissance remained enmeshed in relationships of family, neighborhood, guild, patronage, and religion that, from a twenty-first-century perspective, greatly limited the scope of individual thought and action. The sixteen essays in this volume expand the groundbreaking work of Gene Brucker, the historian in recent decades who has been most responsible for the discovery and exploration of these pre-modern qualities of the Florentine Renaissance. Exploring new approaches to the social world of Florentines during this fascinating era, the essays are arranged in three groups. The first deals with the exceptionally resilient and homogenous Florentine merchant elite, the true protagonist of much of Florentine history. The second considers Florentine religion and Florence's turbulent relations with the Church. The last group of essays looks at criminals, expatriates, and other outsiders to Florentine society.

Renaissance --- Florence (Italy) --- Florent︠s︡ii︠a︡ (Italy) --- Firenze (Italy) --- Florencia (Italy) --- Florença (Italy) --- Florenz (Italy) --- Florentia (Italy) --- Florence (Tuscany) --- Civilization. --- acciaiuoli. --- agnolo. --- art history. --- art. --- battista. --- benedetto. --- bologna. --- borgo san sepolcro. --- bruni. --- catasto. --- catholicism. --- church. --- ciompi. --- criminals. --- cultural history. --- duel. --- ethics. --- europe. --- expatriates. --- firenze. --- florence. --- guild. --- history. --- honor. --- individualism. --- inheritance. --- insults. --- italian renaissance. --- italy. --- liturgy. --- marriage. --- masculinity. --- medici. --- merchants. --- monasticism. --- neroni. --- nonfiction. --- nun. --- outsiders. --- patriarchy. --- patronage. --- priest. --- religion. --- renaissance. --- sack of rome. --- saints. --- social history. --- social order. --- underworld. --- war of the eight saints.